12.4.06

Im not trying to be Poetic....


Dub Selector: Echo Chamber

absolute supreme way of pretending not to be resisting.
my revolt, is as nimble as drunk elephants
My revolt is underwhelmed
I consist of echoes and hide in the shadows

whose in control hear?

My ,my , my

We have issues and subscrtions are readily available,
back issues are a specialty

you make me sick, and i love you for that.

my resistance is a metaphor for circumstance...
its the fault of an objective reeking with hate

and at the edge of my finger blame takes a leap
landing at your stumbling feet..
my revolt is measured by theories, estimations, assumptions, libations
my revolt speaks ill of its ill- education ill, i-l ill Ian
my revolt wakes after long wars after short tedious disco naps
it is looking for a fight
not wanting confrontation
physically able to break even wind
emotionally so delicate it weeps for turbulence
potentially, willing to do the opposite of both.

8.4.06

Untitled
2003
12"x15"
Acrylic on board
(Private collection)








Untitled
2004
65x65
Acrylic on board
(Sale Pending)


More favorites from recent bodies of my paintings.

6.4.06



This is one of my favorite paintings from the paintings of 2003. It is in a private collection.
@ THE MAGIC CITY ART CONNECTION
I won the "BellSouth Artist of Distinction Award" in 2005 for this body of work.

"Untitled"
Mixed Media on Canvas and Leather.
68'' x 70''

3.4.06

The Original Post was deleted....
But here is an updated version.
I worked on the space all day...The night was capped off when x arrived with x
vibes and fire-water...
We decided that a spontaneous street installation was in order....






26.3.06

Ive done well over 3000 paintings. Paintings on every scale, as small as a stamp to the hallways,and gymnasium-wall mural collaborations I did with the Nu-Tribes Crew at Meany School in Seattle, Wa. Which is co-incidentally Jimi Hendrix's old school...how lovely is that truth?)
{ SHOUT OUT REAL DAMN LOUD! TO BECKY LAIRD,ROGER MITCHELL,THEASTER GATES, EDDIE HILL, LAUREN HOLLOWAY, MULGETTA,TRANCE ARTIST 1 AND THE REST OF THE OLD NU-TRIBES CREW }

paintings, Here are a select few...

CLICK THE GALLERY LINK FOR MORE.





This Painting was the cover for "The Stranger" - a Seattle Weekly. in march 0f 2003. Which included a feature story. The details and the correct and truthful version of all the events surrounding it, will be the subject of a future documentary. And it will set the record straight!
stay tuned for that ..

22.3.06




Here I am at this cafe called Revolution in the mission district....
I walk in feeling a bit anxious, now this nothing new at all. As a matter of fact IM anxious most of the time, even when IM sleeping. I am conscious that it even borders on being paranoid. But I received confirmation today that IM not to far gone..
I haven't started talking to myself, out loud...Yet...
I only do that while IM alone and the blinds are shut tightly...
So as I was "pontificating" I walk in and the place is mellow and dimly lit..Supreme...
The walls were adorned with whispers of An African displaced...Or misplaced or replaced...Relative/subjective..You choose.
but I liked the feeling of feeling like I am relevant, not as if I did the work myself. Or as if anyone said anything or did anything in particular to make me feel special or even less anxious. But the work made reference to my distinct cultural illusion...You know African-American etc...

This artist is well acquainted with the SAMO Mojo...And believe it or not history, racism, sociology, the boundless cultural roller-coasters of it...it being the illusion of race and its impact on you...And me...And them and we...

to be cont'd.....

The Curious Project.
AT THIS MOMENT:

It has been a long time since its conception.
Not immaculate, but a cumbersome gestational period. The idea was simple enough, at least in theory. But, as life is, it is. Believe me that vagueness is not an attempt at being clever or poetic at all, it just is.

CURRENT BEHAVIOR:
The experimental space.
Not really a gallery, theatre, nor darkroom, frankly, it will be a place for paintings to be born...a studio-ish cavum.
the experimental part?
well, we will see...